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1
Intermediate Passage 5

This picture, [1] , treats of a legend, an episode of which Giorgione, as we shall see in the next hall, has also painted in a somewhat singular manner.[2] : One night while the gondolier was sleeping in his gondola, waiting for custom along the canal of S. Giorgio Maggiore, three mysterious individuals jumped into his boat and bade him take them to the Lido; one of the three persons,[3] armed to the teeth and dangerous to look upon , appeared to have the beard of an apostle and the figure of a high dignitary of the Church; the two others, [4] reeking of the fish that once swam in the river, revealed themselves as men-at-arms. The gondolier turned his prow towards the Lido and began to row; but the lagoon, so tranquil at their departure, began to chop and swell strangely: the waves gleamed [5] with sinster lights; monstrous apparitions were outlined menacingly around the barque to the great terror of the gondolier; and hideous spirits of [6] of demonic origin seemed to be swimming from the Lido towards Venice, making the waves emit thousands of sparks and exciting the tempest with whistling and fiendish laughter in the storm; but[7]

The battle lasted for a long time; new demons constantly succeeded the others; however, [8] this picture possesses the merit, sufficiently rare in the Italian school, which is almost exclusively occupied with the reproduction of religious or mythological subjects, of representing a popular legend, a scene of manners, in a word, a romantic subject such as Delacroix or Louis Boulanger might have chosen and treated according to his own special talent; and this gives it a character of its own and an individual charm. The gondolier scarcely knew what to think of their strange conduct; until, as they were about to separate, the oldest of the group, suddenly causing his nimbus to shine out again, said to the gondolier: "I am Saint Mark, the patron of Venice. I learned to-night that the devils assembled in convention at the Lido in the cemetery of the Jews, [9] , under the pretext that many excesses are committed there which give the evil spirits power over her inhabitants; but as Venice is a good Catholic and will confess her sins in the beautiful cathedral which she has raised to me, I resolved to defend her from this peril of which she was ignorant, by the aid of these two brave companions, [10]Saint George and Saint Theodore, and I have borrowed thy boat; now, as all trouble merits reward, and as thou hast passed a boisterous night, here is my ring; carry it to the Doge and tell him what thou hast seen. He will fill thy cap with golden sequins."

[11] (1) Therefore, he went to find the Doge, who was presiding over the Senate in his cap of office, and, respectfully kneeling before him, he related the story of the battle between the devils and the patron saints of Venice.

(2) The gondolier, rather astonished, and he had reason enough, would have believed that he had been dreaming after drinking during that evening several glasses too many of the wine of Samos, if the large and heavy golden ring studded with precious stones which he held in his hand had not prevented his doubting the reality of the events of the night.

(3) At first this story seemed incredible; but the return of the ring, which was in very sooth that of Saint Mark, and the absence of which from the church treasury was established, proved the gondolier's veracity. (4) So saying, the Saint resumed his position on the top of the porch of Saint Mark's, Saint Theodore climbed to the top of his column, where his crocodile was grumbling with ill-humour, and Saint George went to squat in the depths of his columned niche in the great window of the Ducal Palace. This ring, locked up under triple keys in a carefully-guarded treasury, the bolts of which showed no trace of disturbance, could only have been removed by supernatural means. They filled the gondolier's cap with gold and celebrated a mass of thanksgiving for the peril they had escaped.

 

The Project Gutenberg eBook of Great Pictures, As Seen and Described by Famous Writers, by Esther Singleton. 

1.The writer wants to add the following sentence: which represents a gondolier returning the ring of Saint Mark to the Doge. Should the writer make this addition here?
A
a.)Yes. The sentence illustrates the topic of discussion in the passage.
B
b)Yes. The sentence gives an example of a concept discussed in the passage.
C
c)No. The sentence is redundant as the information could already be inferred by the information in the passage.
D
d)No. The sentence adds nothing significant to the discussion and therefore is irrelevant.
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